2000-2009:10-1

So here we are. FINALLY. My top ten releases from the years 2000 to 2009. Keep in mind that this is a subjective list of favorites, and I don't really care if you think I messed it up.

These final ten are comprised of an internationally diverse group of musicians. Music is, after all, a medium unrestricted by the boundaries of coherent language. Included here are a bunch of Canadians, Icelanders, Frenchies, a couple of Italians, our Japanese vocalist again, and I think Shelby Cinca was born in Romania or something. And then there are the Americans, of course. Loud and proud.


10) Kathleen Edwards - Back to Me
Though all three of her full-length releases are outstanding, this one stands out a bit more than the others. You might remember the "Back to Me" single, and it is by far the friskiest song on the album. The other tracks are emotionally heavy and vocally harmonized to perfection. Though lyrically focused, the instrumentation is solid and the bittersweet slide guitar bends the music into what sad country songs should be.
Kathleen Edwards - Back to Me
Kathleen Edwards - Copied Keys

9) Blonde Redhead - Misery is a Butterfly
A little bit aristocratic, a little bit arty, a little bit rock 'n' roll, Misery is completely magnificent. The vocals (shared by Kazu Makino and Amedeo Pace) are breathy yet somehow also squeaky, if that makes any sense. Atmospherically lush by way of strings and organs, Misery is a dreamy voyage to familiar places you've never been.
Blonde Redhead - Misery is a Butterfly


8) Frodus - And We Washed Our Weapons in the Sea
From the grinding bass that opens track one to the calming afloat-at-sea instrumental at the end of the record, this, Frodus' final studio album, is their magnum opus. It is all at once angular, blistering, paranoid, and post-apocalyptic. Labeled "spazz-core" early on, the band takes the genre to unforeseen and awesome (as well as awe-some) levels. Though completed in 1999, it was not released until 2001 and is thus technically an aughties album.
Frodus - The Earth Isn't Humming
Frodus - There Will Be No More Scum
Frodus - Red Bull of Juarez

7) Broken Social Scene - You Forgot It In People
One day it suddenly dawned on me that I had never heard a BSS song I didn't like. You Forgot It In People is a fantastic collection of songs that I really truly don't not like. It's chill, but still incredibly noisy. This is headphone music as there's a lot going on. The album credits also read like a Canadian Indie roll-call.
Broken Social Scene - KC Accidental


6) twothirtyeight - Regulate the Chemicals
Originally released in 2000 on Takehold Records (oh, the memories), Chemicals was re-released by Tooth & Nail and features two additional songs, neither of which sound like they should be on the album but are good songs nonetheless. The original tracks are angsty, but not in the annoying teenage way. More in the awkward young-adult way where the future is wide open yet unattainable. Personally I've attached many fond memories to this album and it will always remain an all-time favorite.
twothirtyeight - The Songs Will Write the Words

5) Sigur Rós - ( )
Probably the most pretentious records ever. None of the tracks were named upon the album's release, the album's title is unpronounceable, and all of the lyrics are sung in a made-up language. It's kind of ridiculous, and if the songs weren't as absolutely beautiful as they are then it would be an exercise in silliness. But these songs are bucolic and hopeful, building layers upon layers until the idyllic has turned into something triumphantly grandiose.
Sigur Rós - Untitled #4 (aka Njósnavélin)
Sigur Rós - Untitled #8 (aka Popplagið)

4) Norma Jean - Bless the Martyr and Kiss the Child
Chug-chug-weee-weee'd to perfection. Botch clone? Perhaps. But I find Norma Jean deliciously more chunky, and when Bless the Martyr was released all the xJCHCx kids desperately needed an anthemic 'core album to get behind. It has since moved from trendy to endearing and will never be forgotten, a testament to the music's craftsmanship and the hookiness of each songs' "key moment."
Norma Jean - Memphis Will Be Laid to Waste

(Holy Cameo Appearances, Batman!)

3) Iron & Wine - Woman King
Either a short album or a long EP, Woman King is six songs of woodsy southern gothic folksiness. More upbeat than his prior releases (and significantly more hi-fi), Samuel Beam continues to explore his (your? my?) disquieted soul. Not long enough to bore you, not short enough to tease you, Beam has crafted (perhaps with an antique chisel) one of the best collection of songs ever.
Iron & Wine - Woman King

2) Suffering & the Hideous Thieves - Rats in Heaven
Gritty and real. Like, REALLY real. Jeff Suffering takes an honest look at the dark soul of man, revealing what undeserving creatures humans are. But found at the lowest point is redemption, and a solemn eleven-and-a-half minute rendition of "Amazing Grace" concludes the album. I am blown away each and every time I hear these songs.
Suffering & the Hideous Thieves - The Collector
Suffering & the Hideous Thieves - The Potters Field

1) Comity - The Deus Ex-Machina as a Forgotten Genius (Andy Warhol Sucks)
So my favorite album from the aughts comes from France. A French metal band, no less. Only seven tracks in length, the band packs as much metal and as many metallic genres into these songs as they can. The end result is ambitious, complex, and epic. Listening to the entire album at once would be akin to being a part of an hour-long car crash. Even hearing out just one track is a serious endeavor as most push the ten-minute mark. There is a parental advisory that accompanies Ex-Machina, but it's probably because the metal of Comity is capable of exploding a child's head.
Comity - Alleluia Versus Amen (As Eros Kills)