Thursday, February 28, 2008

1987

In 1987 the hip 80's were still awesome as the awkward transition to the cool 90's hadn't yet begun. By this point most rock 'n' roll sub-genres had reached their aesthetic peaks and the procreators of such were either just now easing into bland obscurity or, for better or worse, they were taking their art to the next level.

Although at the time I favored the music of Raffi over that of The Smiths, I've since come around, aged twenty-one years, grown a few feet taller, and have forgotten the words (though not the melody) to "Baby Beluga". The Smiths probably would've warped this five-year-old's mind anyway.

As much about re-discovery as it is about the regular sort of discovery, here are five kickin' songs from 1987. Reoccuring themes include life after punk rawk, bitter ends, and disturbing stories. Enjoy!


Husker Du - Ice Cold Ice
In January of 1987 Husker Du released Warehouse: Songs and Stories. In December of that same year the band unexpectedly broke up following a show in Columbia, Missouri. It was unexpected in the sense that they were in the middle of a tour, but drugs and strained relationships, those things that slowly wedge bands apart, things Husker Du had been trying to work through for years, finally culminated and destroyed the band. You'd never know that by listening to this album, though. They sound great. There's the odd 80's production that makes these songs feel a bit dated, but the tunes themselves are brilliant. As far as "Ice Cold Ice" is concerned, revel in the sweet melody, the desperate vocals, the harmonies... even some call-and-response. And underneath it all is the aggressiveness and attitude that made them such an awesome early 80's hXc punk band. By the way, if you turn the volume up to listen to the fade-out, watch out for that final chord. BWAAAAANG.


New Order - 1963
Murder you can dance to! The lyrical story is a bit vague, but evidently Bernard Sumner wrote this about the Kennedy assassination. The story goes that JFK hired Jack Ruby to take care of Jackie O. so that he and Marilyn Monroe could live together happily ever after. Ruby turned to Lee Harvey Oswald to make the actual hit. The hit was a miss and the bullet got JFK instead. Monroe, distressed that her lover had been killed, committed suicide. Ruby, miffed that Oswald screwed up the job, shot him in the stomach on national television. Obviously this isn't a story to be taken literally (Kennedy had been hit with two bullets, and Monroe died in 1962), so you can take the song to mean whatever you want. "1963" was released as a b-side to "True Faith" in July and appeared on the Substance compilation in August.


The Smiths - Last Night I Dreamt That Somebody Loved Me
Probably the most depressing song EVER. I don't know what's up with the intro at the beginning, but it sets a weird mood. Two minutes of piano and an angry mob(?) and orca sounds(???)... only to be crushed by a sudden wall of sadness when the real song begins. If it annoys you then pick up the 7-inch single, which omits the intro. But if you're a big enough Smiths fan to purchase vinyl singles then you're probably not going to care either way. This appears on the band's final studio album, Strangeways, Here We Come, and is in fact their final single (apart from re-issues, which obviously don't count). A downer song on multiple levels.


Rites of Spring - Patience
Time to get emo, but in the original post-hardcore definition of the word. Forerunners of the now-mislabeled genre, vocalist Guy Picciotto (later to join Fugazi) attacks and wrestles with the lyrics in a manner that is definitely reminiscent of punk and hardcore. The instrumentation, on the other hand, is almost subdued and even kind of jazzy. It all comes together, though, to create this brief and intensely emotional package. "Patience" appears on their 4-song All Through a Life EP, but you might as well get End on End compilation which contains the entire EP as well as their entire self-titled 1985 album. (Each of these releases, by the way, was produced by Ian Mackaye.)


The Sugarcubes - Birthday
You know what this post needs? More Bjork. Though this song appears on 1988's Life's Too Good, "Birthday" was released as a single in October of 1987. It was the band's first hit and was voted the #1 song that year on John Peel's radio show. It's got that doomy Icelandic feel to it, but this is most certainly a chipper pop song about love between a five-year-old and the... bearded guy... who lives... next... door... ew. If you don't want to admire the lyrics then you can admire Bjork's enormous pipes. She's, like, five feet tall but has a voice that can knock down a brick house.

Monday, February 25, 2008

il Buono, il Brutto, il AlbumArto: Depeche Mode

il Buono, il Brutto, il AlbumArto
Take a band. Take its album cover highlights. Take its album cover lowlights.
Swish it all around in your mouth. Comment.



DEPECHE MODE

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This is the cover to Depeche Mode's 1982 album A Broken Frame. It features an absolutely beautiful scene photographed by Brian Griffen. It's such an awesome image that Life Magazine named it one of the "World's Greatest Pictures" from the 1980s. According to Pop Rock Gallery, "this photo was shot in Hertfordshire, just off the Motorway M11, and all effects were achieved in camera." Half the album is comprised of synth-poppy fun beats, but though Depeche Mode wouldn't perfect their electro-gloom sound until later, the other half of the album is dramatic enough to warrent the use of this particular cover image. My only real gripe is the purple text at the top. Yucko.


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This is from Depeche Mode's follow-up album, Construction Time Again, released in 1983. Same photographer, cheesier photograph. It features an industrial worker about to smash himself some Matterhorn. At least, that's what it's supposed to be. Forced perspective works only to a point, and we know that when this fellow brings down the hammer he's not going to hit anything. In fact, I bet immediately following this snapshot he found himself tumbling down the Alps. And once again I don't like what the cover designer did with the text. I understand that it's slanted to mirror the mountain, but doing that forces it to become a (distracting) part of the image. Interesting note, though: you'll notice that in this picture and the one before the subject is facing away from the camera. Griffen purposely did this because he felt that it would allow the viewer to more easily place his or herself in the subject's shoes.


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This is the cover to Depeche Mode's Only When I Lose Myself single released in 1998. Here we have what appears to be a very stark and very orange hotel room. Rick Guest with the photography credit here (though Brian Griffen did do the surreal "Only When I Lose Myself" music video). I don't really know why this image appeals to me so much. Maybe it's because hotels remind me of travel, and I love to travel. Maybe I'm oddly attracted to simple geometric shapes. I do know that the blank television set is jarring, but somehow completely appropriate. The band logo in the mirror creeps me out just a little bit, and I don't know if the letters themselves are actually backwards, or if the entire image itself was flipped around after the picture was taken. Anyway, several different versions of the single were released, and as with differing versions there are varying (though thematically similar) covers as well. Example, example, example.

Monday, February 18, 2008

404'd

From my new file hoster, Boxstr.com:
"We are going under major server troubles. We will be back up asap."
I can't win. My filing patronage is like the kiss of death.
Hopefully Boxstr WILL be back up and you WILL once again be able to sample those groovy tunes.

In the meantime I've got some more myspace band friend requests primed and ready to exploit.

Album covers, too, if I can decide who's next.

Anyway, as soon as I can once again host a file we'll jaunt on over to 1987.

Tuesday, February 12, 2008

1968

If 1967 had the summer of love, then 1968 had the summer of HATE, right? No, of course not. Hippies still existed in abundant numbers and those motivated enough to write songs in '67 got around to recording and releasing them in '68. These would be rock 'n' roll's last innocent years, though, as arena rock would soon rear it's ugly head.

I'm actually featuring a variety of song-styles here. We've got the Motown sound, a British band, an Irish folky guy who likes his jazz, Nederpop, alt-country in its infancy, and, um, Lee Hazelwood.

Also, I'm trying out a new file hoster, so if things don't work correctly then please let me know.


Edwin Starr - Twenty-Five Miles
Starr is more well-known for asking what war is good for (answer: absolutely nuthin'), but here we have him huffin' and hawin' out this thigh-slappin' song about walking a bunch of miles. There are a lot of numbers mentioned (twenty-five miles, three days, two nights, etc) but if you can keep everything straight you'll find this guy's serious about his devotion to his woman. Best part of the song? The countdown near the end.


Lee Hazelwood & Nancy Sinatra - Some Velvet Morning
When they did the dead people montage during the Grammys the other night, I was disappointed that they didn't play this song when they put up Lee Hazelwood's picture. Instead they played "These Boots were Made For Walking", which Hazelwood wrote. But that in itself showed how inseparable Hazelwood was from Nancy Sinatra. Hazelwood was a gritty cowboy-type character, and Sinatra was a smokin' minxy little songstress. Yet somehow they joined forces during the 1960s to create music most excellent. "Some Velvet Morning" is, if nothing else, their most interesting collaborative effort. It's flowery, pastoral, orchesteral, and lyrically bizarre. The song see-saws between Hazelwood's tough-as-bark vocals and Sinatras heavenly "Phaedra" presence. He says he's gonna open up your gate. I don't know what that means.

Van Morrison - The Way Young Lovers Do
This is by far the most pop-friendly song from the super-awesome Astral Weeks, and it's probably for accessibility reasons that I chose it. A nine-and-a-half minute song about a transvestite makes sharing awkward, so here we have "The Way Young Lovers Do". The rest of the album moseys along, so it's a little bit startling to encounter this swingin' jazzy tune. The instrumentation is outstanding, and Morrison's voice is at its soulful best. It's that Richard Davis double-bass that really sets this song apart from any others, though. It ambles along with little regard for what the rest of the song is doing and dang near leads the charge into musical destruction about halfway through. Then everything somehow snaps back into sweet cohesion and things continue as if nothing had happened. Awesome.

The Zombies - A Rose for Emily
In 1930 William Faulkner published a short story called "A Rose for Emily". It's about a shut-in named Emily who kept the dead body of her lover upstairs. Southern gothic necrophilia is the way to go. This song, released thirty-eight years later, has absolutely nothing to do with that story. Instead it's about a woman named Emily who tends a rose garden. Couples in love pluck her roses, but nobody gives her any. So her garden withers and she withers and everything dies. The music itself is very stripped down and features Colin Blunstone's wistful vocals, a simple piano melody, and some sweet Zombie harmonies.

The Shocking Blue - Send Me a Postcard
Apart from "Venus" (yeah baby, she's got it), Shocking Blue didn't do very well Stateside. That's really too bad because they had a handful of very good songs. Take "Send Me a Postcard" for instance. Super-fuzzed guitars, moments of elated rock frenzy, Mariska Veres's big Dutch pipes... it all kinda makes me want to run through a wall. Though released as a single in 1968, this song didn't peak on Euro-charts until 1969 and didn't appear on an album until 1970's The Shocking Blue compilation.

BONUS TRACK
The Byrds - Pretty Polly
This song was recorded for Sweetheart of the Rodeo but ultimately didn't make the final cut. When Sweetheart was reissued in 1997 "Pretty Polly" was featured as one of the bonus tracks. Personally I think this song is better than the original eleven. It's a traditional murder ballad rearranged and country-rockified by Chris Hillman and Roger McGuinn. The instrumentation is appropriately blue-grass inspired but comes across as a little frantic. The song gallops along at a steady rate and seems like a sweet little hillbilly love song until, terrifyingly, pretty Polly gets stabbed IN THE HEART. Two-part harmonies are used here for optimal effect and kick in when murderous intentions are discovered. If you're interested, on Roger McGuinn's Folk Den blog you'll find the lyrics and a more traditional recording of the song.

Thursday, February 7, 2008

Quick Kathleen Edwards Update

For the Kathleen Edwards fans out there (which should be all of you) half of her not-yet-released album, Asking For Flowers, can be streamed on her website. Also found on her website are new tour dates and a handful of .mp3s from her previous two albums (all of which I highly recommend listening to).

The new songs are quite good and I look forward to hearing the rest of the album.

That's all.


Tuesday, February 5, 2008

2008 R&RHoF Inductees

The Rock & Roll Hall of Fame is a bit bunky, in my opinion. A small handful of aging music industry folk choose some popular names that both suit their own tastes (James Taylor, rock & roll GOD) and will also sell lots of tickets at the induction ceremony. You're not going to find many punk or metal or hardcore or prog-rock or electronic bands showcased inside that glassy Cleveland half-pyramid.

Also worth noting is last year's Dave Clark Five controversy.

But with that being said I'm always interested to see, deserving or not, who made the annual cut. This year's lineup is fairly worthy. I can't ascribe to being a John Mellancamp fan, but I suppose he's left his mark. Madonna, too. Leonard Cohen was a bit of a surprise -- I've always felt he was too cool for the R&RHoF crowd. And as for the DC5 and the Ventures? Well, dude, they rock.

Leonard Cohen

"The Stranger Song"
[Video Comment: The closing seconds... passionate, or just something in his eye (and dribbling down his face)?]


Dave Clark Five

"Because"
[Video Comment: The DC5 weren't terribly good live performers, and here it's likely the guys were just singing over their own non-live music tracks. Great song, though.]


Madonna

"Get Into the Groove"
[Video Comment: I really like this one for some reason. Also, ROSANNA ARQUETTE!]


John Mellencamp

"Human Wheels"
[Video Comment: I actually like this song, probably because I'm a sucker for mandolins. Bizarre video, though. Equal parts midwest livin' and circus nightmare.]


The Ventures

"Hawaii Five-O"
[Video Comment: Book 'em, Danno.]